Minggu, 20 Februari 2011

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The Mythology Handbook: A Course in Ancient Greek Myths, by Hestia Evans

  • Published on: 2009
  • Binding: Hardcover

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Rabu, 09 Februari 2011

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Sabtu, 05 Februari 2011

[B591.Ebook] Fee Download Mel Bay George Van Eps Harmonic Mechanisms for Guitar, Vol. 1, by George Van Eps

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Mel Bay George Van Eps Harmonic Mechanisms for Guitar, Vol. 1, by George Van Eps

The most in-depth, revolutionary presentation of the harmonic framework of music is applied to the guitar fingerboard ever presented. Leads to total mastery of harmonic and technical aspects of the guitar. The material in this landmark series of 3 massive volumes address virtually every aspect of playing jazz guitar representing the fruits of years of the author's investigation of harmony and fingerboard mobility. This series of books leads to total mastery of the harmonic and technical aspects of the guitar. In notation only.

  • Sales Rank: #442522 in Books
  • Brand: Brand: Mel Bay Publications, Inc.
  • Published on: 1980-02-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .73" w x 8.50" l, 2.24 pounds
  • Binding: Paperback
  • 328 pages
Features
  • Brand Name: Van Eps, George Mfg#: 9780871669063
  • Shipping Weight: 1.90 lbs
  • Manufacturer:
  • Genre:
  • All music products are properly licensed and guaranteed authentic.

Most helpful customer reviews

21 of 24 people found the following review helpful.
It's exactly what it says is it is: -NOT- a "chord book"{.
By .
First of all, it should be known who Van Eps was: A guitarist who specialized in highly sophisticated chord-melody work, with an elaborate system of fingering harmonized lines to play them as perfectly, (without the squeaking most players get by merely sliding into positions), as is possible on the instrument. He called the guitar the 'lap piano', and his playing reflected that point of view. If this doesn't mean a lot to you, perhaps the other books some reviewers have mentioned will be
all you need. If, however, you which to truly master the mechanics required for the musical performance of all of the possible harmonized lines on guitar, no other book is even -attempting- the objective. I love Ted Green, and his methods definitely provide a better 'quick fix' for less serious players, but let's not bow to our current limitations if we have the potential to take the next step.

9 of 9 people found the following review helpful.
Very good theory course
By Thomas L. Wilkinson
I bought this book after seeing it recommended to on a guitar theory website. Now that I have the book, I'm not dissappointed, the theory and exercises in the book are numerous, and I've already learned a lot, and I'm only 30 pages into the book.

If you've learned most of your guitar theory on various internet websites, you'll likely find the book a little bit advanced, but still do-able. Exercises are given with standard notation only (i.e NOT tab notation) so that might be a disadvantage to some.

I've sometimes found descriptions in the book to be a little incomprehensible, it might just be a shortcoming of my own understanding, but your millage may vary.

Overall I'm finding the book very useful, and feel that my understanding will have greatly improved by the time I've worked my way through.

9 of 10 people found the following review helpful.
Disappointing..publisher should be embarassed
By R Foose
Well, I expected to be a little disappointed. After a few years of formal study of Music Theory, supplemented by dozens of years of self-study and practical application, I didn't expect to find much new here. And I didn't. A few things I already knew were presented in a non-standard way that made me re-evaluate what I knew, but from a 'head' perspective, I was already experienced in all that was presented, and possibly farther along.
From a 'hand' perpective, however, I learned, and am learning, quite a lot. I'd already figured out how to harmonize scales on the neck a long time ago, but this book opened up dozens of new avenues to learn and explore. I'm sure I won't live longer enough to master more than a quarter of what's presented here, if that much. This series of book was George's masterwork of instruction. From a technical standpoint, it contains everything you'd ever need to be proficient on what he called the 'lap piano'. Definitely 8 stars stuff.
That said, Mel Bay has truly dishonored his effort in how they presented this work to the public. I own and have owned a number of Mel Bay publications over the years. Some of them are excellent. Some of them are best used to fill recycle bins. Sad to say, were it not for the inestimable value of the material itself, these books would be heading immediatley to the recycler. If you have ever photocopied a color print using a cheap black/white copier, you'll have an idea of what the photos and textual 'pullouts' look like. Some of them are so bad as to be nearly unreadable. And the type size is maybe 6-point or so. It's like reading the 1950 version of the Colliers Encyclopedia, condensed version. And then there's the notation examples. These are small, but legible in volume one. In volume two and three, for the most part they look like handwritten examples that were photo-engraved. The staff size is okay, but the note heads and accidentals are miniscule to the point of being useless for reading with the instrument in hand. It's as though Mel Bay took the amount of effort that George and his daughter put into creating these books, and used the opposite amount of effort to prepare them for release to the public. What should have been elegant and easily readable is sloppy and difficult to use. What should have been an inviting open gateway to artistic virtuosity has been presented as a ramshackle door to frustration. Mel Bay Publishing should be ashamed to put their name on this. 1 star, for printing it. At least its available.
Recommendation: Get the George Van Eps Guitar Method instead. Less cost, better formatting (it's still pretty dense, but readable), and with enough of the same material covered to give you years of work to master it. Or get the complete Berklee Method for the Guitar, which has much better formatting and is in itself a way to get to a professional level of playing.

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Jumat, 04 Februari 2011

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Atlantis in America: Navigators of the Ancient World, by Ivar Zapp, George Erikson

This text presents evidence for a new theory that the great stone spheres of Costa Rica and sighting stones throughout the Pacific were used to teach sea routes and constellation paths to navigators of the ancient world. It reveals substantial links between Meso-America and Egypt and the Middle East.

  • Sales Rank: #189726 in Books
  • Brand: Brand: Adventures Unlimited Press
  • Published on: 1998
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.06" h x .85" w x 6.06" l, 1.22 pounds
  • Binding: Paperback
  • 398 pages
Features
  • ISBN13: 9780932813527
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author
Zapp teaches at the University of Costa Rica.

POUSSIN ET MOISE 2

George Erickson, a retired dentist, is passionate about flying and has logged more than a thousand hours flying over the North country. He is married with two adult sons and lives in Minnesota.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Mind Blowing!
By Mammamia05
I dove into this book head first & can not stop reading it. The print is very small which is hard on my aging eyes and I really study the pictures. There are many! So far I have told about 15 + people about this book--and now all you. I have not finished it yet--but I have been engrossed in all the documentation, cross references, and archival research! I love real history with concrete facts. Totally mind blowing!

38 of 41 people found the following review helpful.
One of a precious few
By JESPER SAMPAIO
- "Antiquity is full of the praises of another Antiquity still more remote", says Voltaire (quote on p.7). Authors Zapp and Erikson go to great lengths in order to show us that the Antiquity of the Golden Age, as extolled by magniloquent poets and ancient philosophers and as described in our global treasury of myths, was not the mere fruit of the imagination of "pre-scientific humans" or even the outpourings of some hypothetical "collective unconscious", but existed de facto. On little under 400 pages readers are presented with a most impressive array of cultural and archaeological evidence for the existence of prehistoric seafaring civilizations spanning the entire earth - though each would have had its own center - and living in relative harmony for millennia on end.
However, since the evidence presented falls within a range of quite ambitious proportions and the material is very heterogeneous, Zapp and Erikson have not been able to analyze and discuss it thoroughly; references are few for the breathtaking number of claims the authors make, and one misses a more consistently concomitant exposition of the old-paradigmatic views and interpretations of mainstream archaeologists, though this would of course bore some readers terribly and also have doubled or tripled the size and price of the book. The way it is, readers will have to take the evidence at face value and suspend a definitive judgment until after the authors' suggestions - exceedingly fertile - have been meditated on and possibly backed up by independent research/reading.
Archaeology is in itself not enough to make prehistory come alive before our eyes. Though considered irrelevant by those educated in a strictly materialistic and rationalistic worldview, tools such as spiritual insight or religious experience, intuition, synderesis, Platonic anamnesis and a solid cultural background are indispensable for correctly appreciating who our ancestors were and what they were capable of. This has nothing to do whatsoever with romanticizing the past or with imposing extravagant and feeble-minded vagaries upon the unknown. Our ancestors were fully human (in fact, we don't seem to compare favorably to them ourselves) and therefore possessed the characteristics by which the human being is safely distinguished from all other creatures, namely transcendental intellect, free will and theomorphic constitution. It is time we give up the childish, chronocentric outlook by which we keep judging older periods as inferior to our own, and rid our minds of the silly association of technology with human excellence, as if even the lowliest elements of true culture stood a chance of surviving under the oafish influence of an all-encompassing, technology-obsessed society (see comments on p.181).
Though Zapp and Erikson warn us not to fall into the traps of evolutionary-inspired preconceptions about the primitiveness of prehistoric people and remind us of the mechanisms by which weak or even opportunistic theories are formulated and then kept intact by political, academic and religious forces (e.g. see p.56 about how Beringia came into being in 1590), they cannot avoid contamination entirely themselves and seem to go on placing Java Man and the australopithecines somewhere in our family album and thinking the Middle Ages (800-1300 A.D) a time of darkness and savagery. Their caustic criticism of the Catholic Church (e.g. p.284) may at first seem justified, but is actually very simplistic and completely ignores the many centuries of sanctity and intellectual achievements evidenced within the spiritual framework of Christian Europe (both Orthodox and Catholic). The authors seem to have missed a great deal of the complexity of a culture that was capable of accomodating such disparate characters as Cortez and Saint Catherine of Siena.
However, in view of the central theme of the book, certain heedless statements (and some cases of rash compromise with modern and highly unstable scientific theories and claims - Chaos science, unreliable dating techniques, etc) are made up for by a multitude of excellent notes on knotted chords (p.25-7), astronomical observatories vs. agricultural clocks (p.53), scientific claims inherited from theology (p.57), the eminence-of-initial-excavation principle (p.61), Clovis man vs. Pleistocene fauna extinction (p.81), NDT-based preconceptions (p.98), mythmaking and precision measurement (p.183), cyclical time and qualitative numbers (p.225-6), astrology vs. astronomy (p.233), erosion of the sphinx (p.266), ocean travel experiments (p.295-8), resistance to imported concepts (p.336), apart from a vast amount of general archaeological data.
But why exactly did I say this otherwise poorly organized book was "one in a precious few"? Because it approaches the issue of prehistoric Atlantis without attributing ancient achievements everywhere to extraterrestrial interventions, without trying to portray the Atlanteans as lovers of a technology which has left no trace, without trying to squeeze every sign of civilization in the Americas into a post-Sumerian-pre-Columbian time gap, and without supposing peoples of the past would have accepted every glass bead they were shown as a blessing. Cultures are shown to tend to start out not "jumbo-sized" but intellectually full-fledged and then, as they grow older, decline; myth is shown to be an adequate way of expressing and preserving cosmology and other sciences, the Atlantean life style is shown to be highly recommendable even for the humans of today, and people everywhere and everywhen (again modern man may be an exception) are shown to be brave, inventive and for the most part perfectly aware of what is good for them and what is not. And, whatever the book's minor flaws, that's good enough for five stars and a great read!

3 of 12 people found the following review helpful.
too much ranting
By Kindle Customer
The authors kept on giving the same speech over and over again about the academic establishment. The constant ranting should have been handled once in the intro and then the authors should have gone on and made there point. It's to bad because when the authors actually focus on there interesting theory they have a potentually good book unfortunately they love to give there speech to much.

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