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Guitar Effects Pedals: The Practical Handbook opens up the world of effects pedals, vintage and new alike, for the guitarist. In an easy, guitarist-friendly style, the book explores the history of different effects pedals, what each type of effect does and how it does it, the best ways in which to use and combine your own effects, and how to make the most of the pedals you own. It includes exclusive author interviews with a dozen leading pedal makers and designers, plus a cover-mounted CD with nearly 100 recorded sound samples of effects pedals, both popular and obscure. This updated edition includes the addition of profiles of more than 20 other contemporary makers, 50 percent more manufacturer interviews, and revisions to the original text. This is the only book on the market that includes all of these important elements in the examination of effects pedals a comprehensive history of the art; profiles on both vintage and contemporary (including "boutique") units; and expert advice on all aspects of using these tools. For any serious player interested in honing the perfect tone the right way, this is the go-to reference.
- Sales Rank: #184023 in Books
- Brand: Brand: Backbeat Books
- Published on: 2013-10-01
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x .68" w x 8.50" l, 2.21 pounds
- Binding: Paperback
- 272 pages
- Used Book in Good Condition
About the Author
DAVE HUNTER is an author and musician who has written extensively on guitars, amplification, effects pedals, and recording technique. His books include Guitar Amp Handbook, The Home Recording Handbook, Star Guitars, Guitar Rigs, and several others. He is a regular contributor to Guitar Player and Vintage Guitar magazines.
Most helpful customer reviews
8 of 10 people found the following review helpful.
An Absolute Must, for any Electric Guitar Player, Music Producer or Recording Engineer !!!
By Michael Casaburi
I have been Searching for a book on Guitar Pedals, Stompboxes & Floor Effects . . . and this is ( without a doubt ) The New Bible. It has been Recently Updated & Expanded to Include even more Boutique Effects, and Also comes with an Audio CD. It is very well Written, and takes you from the Early Fuzz Face, to State-of-the Art: Strymon Effects. It includes ( conversations ) with: The Master's of Guitar Effects: Pete Cornish, Roger Mayer, Brian Wampler, Michael Fuller ( of Fulltone ) and Mike Matthews of E.H. ( Electro Harmonix ) among many others. I Love Guitars & Effect Pedals, as I play both Acoustic & Electric, and I'm also an Engineer & Producer. Mr. Dave Hunter " Thank You " - Awesome Book - I Can't put it down. - Michael / Astoria / NYC -
3 of 3 people found the following review helpful.
Picky Boyfriend actually LIKES this book!!
By C. Bird
Bought this for my axe playin' boyfriend, who's been playing guitar for a few years but really didn't know much about pedals and wanted to get started expanding his sounds. I could only find 2 books on Amazon about Guitar Pedals, so I'm really glad I chose this one since he said it's been really helpful to him. He's learned a lot of history about pedals and what type of sounds each category of pedal will make, and he said the writer helps to keep things fun and interesting. Based on his reaction, (and he's VERY picky!), I give this book 5 stars!
2 of 2 people found the following review helpful.
Worth Reading Overall
By Chas M
Overall, this is a very worthwhile book. I am generally a fan of Dave Hunter’s writing and reviews in Guitar Player magazine and overall his effect pedal handbook is admirable.
Here are the pros: Hunter does a good job explaining the evolution and history of stomp boxes in the opening chapter and he does a nice job of explaining how the effects work technically in a way that a general reader could understand. I was curious to learn more about a lot of vintage pedals that I have read about in the author gives a nice overview of these classic effects. The section on the new and contemporary builders is superb providing a survey of all the boutique pedals that are out there. I was surprised but happy that Hunter gives quite a bit of love to the Danelectro line of budget stompers too. The book comes with a CD where the author demonstrates a wide variety of effects and that is really cool. There is a chapter where Hunter interviews the most famous boutique makers and he asks them all good questions. The interview with Pete Cornish, Roger Mayer, and the guy from Earthquaker Devices were all really interesting.
Now for the cons: one negative is the author’s fault and one is not. What is not Hunter’s fault is that the book is somewhat outdated. The problem with handbooks and bibliographies is that they are out of date the moment they hit the shelves. Speaking as someone who has published in music, publishers do not rush to press books that deal with the arts. So I am sure that after Dave Hunter submitted his final manuscript to the publisher it probably took one or two years for the book to actually make it to the shops. It really does take that long. So unfortunately, some really worthwhile makers were left out of this handbook the two that come to mind are Alexander pedals and VFE pedals. Now, there is something that I wish the author had not done, and that is put negative opinions about effects into his history and overview. For example, he basically says that flanger effects, with the possible exception of Barracuda by Heart, and Boom Boom Out Go the Lights by Pat Travers, are pretty much worthless. This completely ignores all the great tones that many artists have sculpted with those pedals. One thinks of goth music for example and bands like The Cure and Bauhaus. Or even Duran Duran Hungry Like the Wolf. Hunter needs to expand his horizons a bit. He talks like a guy who has never heard any music in his life except for a classic rock station. The author also says some things that I believe are factually not true. For example Hunter says that Rat distortion pedals have more bottom end than a tube screamer, but that is not the case, a Rat pedal is far more midrange heavy and more nasal than a tube screamer ever thought about being. Also he says that the Danelectro Tuna Melt has a honk to the sound but that has definitely not been my experience, and every other review I have read comments on how amp like and musical that stomp box is, it even won an editor’s pick award from his magazine. So anyway, that is my two cents. Overall I would not hesitate to recommend this book.
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